How are public broadcasting executives elected? A comparison of the procedures adopted by six European countries
In recent months, when the top management of Radiotelevisión Española (RTVE) was being renewed, a debate was opened in the country on the mechanisms that govern these choices. An article in the periodical Vozpópuli compared the Spanish situation with that of five other European countries: the United Kingdom, France, Portugal, Italy and Germany. In Spain, the president of RTVE is chosen from a shortlist of ten candidates, six of whom are appointed by the Congress of Deputies and four by the Senate.
In Germany, the TV channel ZDF enjoys greater autonomy from political forces and the executive, in order to focus on the professionalism of the management.
Since 13 May 2021, with the live connection from the sanctuary of Fatima for the transmission of the Holy Rosary, Radio Maria’s broadcasts have begun in Portugal. An expression of the Portuguese association of the same name, the project to open the station began in 2018, when the president of the Spanish office José Manuel Quintanilla took up the invitation of Emanuele Ferrario, the historic president who passed away in 2020 and who “globalised” the station.
The frequencies are those of the former Radio Sim
The Portuguese station acquired the ownership of Rádio Simfrom Grupo Rádio Renascença (a Portuguese media hub that owns Rádio Renascença, RFM and Mega Hits) and switched on 102.2 MHz in Lisbon and 100.8 MHz in Porto, and opened its headquarters in Lisbon and studios in Fatima. The editorial director and head of programmes is Father Marco Luís, appointed on 6 November 2020 by José Ornelas Carvalho, Bishop of Setúbal and President of the Portuguese Episcopal Conference.
With the Portuguese office, there are 82 affiliates
The station is part of the World Family of Radio Maria, an association created in 1998 to promote the development of the station in the world by offering technical and organisational support to the associations that have arisen in various countries. The World Family of Radio Maria has 82 stations, of which 28 in Europe, 23 in America, 23 in Africa and 8 in Asia and Oceania. With more than two thousand transmitters, Radio Maria reaches more than 500 million listeners around the world, speaking in more than 65 languages.
Berlin-based Schlager Radio has announced the launch of its own visual radio station, which will be receivable via satellite on Astra and with a smart TV connected to the internet. The station’s intention is to offer additional information, such as displaying the title of the song being broadcast. “The aim”, says press spokesman Heiner Harke, “is to offer our listeners visual added value without being a TV programme“.
Boom in Italy
In Italy, on the other hand, live video broadcasts from radio stations are almost like television programmes and are becoming increasingly popular. In fact, around 19 million Italians now follow them on a screen (TV, smartphone or PC), 11 million of whom use TV. And according to the Censis research “La transizione verso la radiovisione” (“The transition towards radiovision”) “visual radio is strongly in tune with the expectations of Italians: 52% declare that they would like to have more and more the possibility to enjoy radio contents on different devices also in video format. And 50% of those who follow radiovision find it pleasant, 27.5% engaging, 24% innovative”.
With the pandemic, many Honduran radio stations have had to suspend broadcasts for four to five months because staff became ill and because of the economic crisis that has forced many companies to close, increasing unemployment. Now, fearing that the situation in the South American country will worsen, Carlos Enamorado, secretary of the Community Media Association of Honduras (AMCH), is asking for international aid to survive. In Honduras today there are more than 50 community broadcasters (not all of them authorized), of which 35 are active, and three community television channels, authorized but not yet operational due to the investments required to start broadcasting. More than 400 non-Community radio and television stations are active in the country. The HolaNews article discusses the situation in detail.
After the great enthusiasm for digital broadcasting in the DRM standard, the Indian government is rethinking the technology to be chosen for the future. Digitization began in 2010, and since then three shortwave and 35 mediumwave systems have been activated; the latter can serve an area of 300-350 km each and two or three are sufficient to cover one of the 29 federal states. However, there are few listeners because the receivers cost too much for the purchasing power of the average Indian: the price is at least 3000 rupees (equal to 42 US$), a huge amount considering that in the country one person out of four lives on 12 US$ per month (below the poverty line). India has been penalized by the fact that it was among the first countries to choose DRM because the industry, concentrating on DAB+ (a technology not considered usable in the country, given the vastness of the areas to be covered) has not realized economies of scale and the price of receivers has remained high. Yet the DRM technology could also be used for the FM band.
Further details in the interesting article by Sreejiraj Eluvangal appeared on ultra news, which reports the statements of Ruxandra Obreja, president of the DRM Consortium and Prakash Javadekar, Ministry of Information and Broadcasting.
In a bureaucratic statement that does not go into detail, the Chinese broadcasting regulator (NRTA-National Radio and Television Administration) has decreed the closure of the BBC World News satellite channel on 12 February 2021. This is despite the fact that the television channel cannot be seen by most Chinese, because in China it can only be viewed in international hotels and some diplomatic compounds. The British public broadcaster condemned the decision and stated on its website that the Chinese government had criticised the reports aired on the coronavirus and the persecution of the Uighur ethnic minorities. London’s response was not long in coming and was symmetrical: Ofcom (the British regulator) revoked the licence of the state broadcaster China Global Television Network (CGTN), which will no longer be able to broadcast its programmes in the UK. Separately, Radio Television Hong Kong (RTHK) has aligned itself with the Chinese decision, stating that it will stop repeating BBC World Service programming in the region. This is despite the fact that the former British colony must retain certain rights and freedoms, including freedom of the press, until 2047, as part of a transfer agreement between China and Great Britain. More details can be read in the BBC News article available here.
The Chinese regulator’s press release
This is a translation of the statement published on 12 February 2021 on the NRTA National Radio and Television Administration website: “After investigation, the content of BBC World News’ China-related reports seriously violated the relevant provisions of the Regulations on the Administration of Radio and Television and the Measures for the Administration of the Landing of Overseas Satellite Television Channels, violated the requirement that news should be truthful and impartial, harmed China’s national interests and undermined China’s national unity. The State Administration of Radio and Television does not allow BBC World News to continue to operate in China, and will not accept its application to operate in the new year”.
Ofcom, the authority that regulates telecommunications in the United Kingdom, is considering an application in which Bauer asks to change the format (the type of programs broadcast) of Absolute Radio, a station it acquired that broadcasts on 105.8 MHz FM from the Crystal Palace site in London. Ofcom has issued a statement to that effect in which it says that “Because these changes would substantially alter the character of Absolute Radio London, we are seeking the views of listeners and other interested parties before making our final decision.” A station’s program type is closely tied to its broadcasting license, so the authority is reviewing whether the format change will not eliminate a service to which listeners are accustomed.
On the side of consumers
The decision will follow the authority’s guidelines, as detailed on the website: “We also help to make sure people across the UK are satisfied with what they see and hear on TV and radio, and that programmes reflect the audiences they serve. We consider every complaint we receive from viewers and listeners. Often, we investigate further and we sometimes find broadcasters in breach of our rules. We are independent, and funded by fees paid to us by the companies we regulate“.
From Absolute to Greatest Hits Radio
If the request is accepted, Absolute Radio on 105.8 MHz will change its name to Greatest Hits Radio and will broadcast pop classics and rock hits from the 70s, 80s and 90s, as well as local news and information aimed at Londoners aged 25-54. The consultation will close on March 10, 2021. Greatest Hits Radio is the new radio network that began broadcasting in September 2020 when Bauer changed formats at 49 of its 56 radio stations. We talked about it here.
Greatest Hits Radio is already now available to Londoners on digital radio (DAB) on the London 1 multiplex on block 12C, in the standard MP2 flavour. On the same multiplex, Londoners also can listen digitally to their beloved Absolute Radio. It will be interesting to read OFCOMs decision – will the DAB presence have any influence?
What is your view? Who should be on 105.8 MHz FM in London?
If in 2018 it was the PP (Partido Popular) that sank DAB, it now was the Socialists of the PSOE (Partido Socialista Obrero Español) who rejected the bill presented by Compromís, a political coalition from Valencia, to the Senate. The spokesman in the Senate of the Valencian political coalition, Carles Mulet Garcia, points out that from next December in Spain all cars will have digital radio (as required by European regulations) but that owners will not be able to receive programs, turning the nation into “a technological island of Europe”. In Spain the technical plan for the development of digital radio was launched in 1999. It foresaw the coverage of 80% of the population in 2005, then reduced to 20% in 2011. Today listening is limited to Madrid and Barcelona, although there are unauthorized transmissions on the Costa del Sol and the Canary Islands.
The world of radio continues to give beautiful and incredible stories, such as the one starring Giancarlo Guardabassi, publisher of Radio Aut Marche. After 43 years of activity, the business goes into crisis. The frequencies are sold and broadcasting ends on 31 December, 2019. But two days later the publisher and presenter turns the transmitter back on and starts again, calling himself a “pirate”.
Article (In Italiano)
Il mondo della radiofonia continua a regalare a storie belle e incredibili, come quella che vede come protagonista Giancarlo Guardabassi, editore di Radio Aut Marche
La nascita delle radio libere italiane è stata un’epopea: dal 1975 si andava letteralmente all’arrembaggio dell’etere. Niente regole su frequenze e potenze, finché nel 90 la legge Mammì mise fine al far west. Nel frattempo i giovani pionieri venivano progressivamente sostituiti da editori o fagocitati dai network, e la concorrenza spietata sui prezzi della pubblicità iniziava a minare le basi di sussistenza. Con gli anni sarebbero subentrate la stanchezza e la crisi.
Tra i pionieri c’era anche un conduttore affermato della Rai, Giancarlo Guardabassi, cantante, autore, che nel 1976 decise di aprire la sua emittente. Aveva appena presentato il Festival di Sanremo ed era al culmine del successo, ma decise di fare la sua radio nelle Marche. Dopo 43 anni sono state vendute le frequenze e successivamente è arrivata la chiusura. Un percorso comune a piccole e grandi emittenti (Radio Aut Marche aveva una copertura regionale). Ma dopo la trasmissione di addio, il 31 dicembre 2019, Giancarlo Guardabassi ha riacceso il trasmettitore: il 2 gennaio 2020, sull’unica frequenza non ceduta, i 100.5 di Francavilla d’Ete, ha ripreso a trasmettere, come lui si definisce, da “pirata” solitario.
Il profilo di Giancarlo Guardabassi pubblicato sul sito della radio. La storia invece si può leggere qui.