Coulour 3 is the first European radio station to go on the air for half a day with programs created by artificial intelligence: lyrics, music, and speaker voices. Only the news remained handled by the traditional newsroom. Here’s how it went
During the test, bulletins were aired every twenty minutes to alert listeners and ask them to communicate via email and social what sensations they felt when listening to the programs created by the artificial intelligence Source
The Swiss are not afraid of innovation. After all, it is through innovation that their watch industry has achieved world leadership. In radio, they are ahead of their time: in the early 2000s, RSI (Swiss Radio International) moved to the web by dismantling the powerful shortwave transmitter at Sottens (500 kW) in 2004. Twenty years later they are ready to switch off FM for DAB (from 2024), but unlike Norway, they have prepared the transition methodically: widespread coverage of the territory and information campaigns to buy digital receivers. And artificial intelligence sees them as pioneers once again: while in the States they are announcing software, Colour 3, the third public radio network in French-speaking Switzerland, has already gone on air on 27 April 2023 with programmes made by AI.
Thirteen hours of programming, three months of preparation
The report that RTS, a television in French-speaking Switzerland, devoted to the test carried out at Couleur 3 Source
Although the experiment lasted half a day, it was meticulously prepared for months, experimenting with ten types of artificial intelligence and selecting five of them, including ChatGPT. The texts of the programmes were generated by algorithms, the music composed by AI, and the digital voices of five female and male animators of the station, cloned by Respeecher, a company specialising in film productions, were put on air. Only the information was handled in the traditional way, with articles written and read by live editors. Speakers, however, can rest assured, because artificial intelligence, as Antoine Multone, head of Colour 3, pointed out, is ‘cold’ and cannot replace the creativity, improvisation, and humour of a human.
Work less, work better
In addition to Antoine Multone, director of Colour 3, RTS interviewed the station’s speakers and experts in artificial intelligence Source
But the path is now marked out and the experiment is considered interesting by Pascal Crittin, director of RTS (Radio Télévision Suisse) because the energy that can be saved by entrusting the management of part of the programming to artificial intelligence can be concentrated on the originality of the content. Also, he adds that RTS and SSR (Société Suisse de radiodiffusion) want to use AI in an ethical manner, offering verified information and protecting the public from fake news. All of this is in the DNA of Couleur 3, which was one of the first Swiss radio stations to computerise its schedule, use samplers and, more recently, try out binaural sound, create social network videos and new musical currents before they spread. (Written by Fabrizio Carnevalini)
In order to intercept young people, who mainly inform themselves on online platforms, the German international broadcaster restructures and accelerates its digital transformation
The Berlin daily Tagesspiegel interviewed the director of Deutsche Welle about the changes that will take place at the station Source
Deutsche Welle, the German public broadcasterof international programmes, will close its German-language TV channel. Despite state funding amounting to 406.5 million euros, the broadcaster may have a deficit budget. Director Peter Limbourgrelies on digital transformation in order to intercept young and experienced target groups who inform themselves via online platforms. The German TV channel, whose audience has dropped to 250,000 viewers, and the German Twitter and Facebook accounts will be closed. The operation will result in the ‘socially responsible’ cutting of around one hundred jobs, mainly in the Berlin office. The broadcaster will continue broadcasting in 32 languages.
A conference in Rome analysed the radio system in Italy and some other European countries, as well as how radio is chasing the young audience, which is moving further away from listening
The day of reflection on radio was organised by Confindustria Radio Televisioni (an association comprising the major national radio and television operators) in collaboration with the Department of Communication and Social Research of the Sapienza University of Rome Source
The conference ‘Universi sonori’ was held in Rome on 29 March 2022. ‘From radio to new spaces of production and listening’, it took stock of the radio ecosystem and future prospects. Promoted by Confindustria Radio Televisioni (an association comprising the major national radio and television operators), in collaboration with the Department of Communication and Social Research of the Sapienza University of Rome, it developed thematic panels, round tables, laboratory experiments, and talks with university radio stations. Experts, important players in the radio market, supply chain operators, and institutions, drew scenarios and showed how radio pursues the young audience (which is moving away the most) with thematic offers, talent and formats that represent them, presence on platforms and social networks, and events in the territory.
On Radio Reporter we will present some of the most significant interventions. The morning and afternoon session speeches can be reviewed at the respective links.
The allocation of licences is approaching and we asked an expert what will happen. Pending final guidelines, as of today, those who broadcast on FM can participate (as members of a consortium, otherwise they will compete for the remaining space). Those who only operate in the digital band, on the other hand, have two options: buy an FM frequency or buy half the band that will be allocated to a radio station that is entitled to it
Massimo Lualdi, lawyer and journalist, is one of the founders of Consultmedia and directs Newslinet, a legal, economic and technical information periodical aimed at the Italian media system Source
The allocation of DAB frequencies in Italy is approaching and the scarcity of radio resources will not allow all consortia to obtain them. As a result, not all radio stations will be able to have a channel, particularly those that do not have FM frequencies. With Massimo Lualdi, who with Consultmedia has been assisting hundreds of publishers on regulatory issues for almost thirty years, we take stock of the situation regarding the prospects and steps to be taken by traditional publishers and those who have taken advantage of the current availability of channels to bring their web radio to DAB.
A premise: in Italy, the digital band has two limits: the unused channel 13 (reserved by the Ministry of Defence for the VHF links used by the Army) and the interference problems raised by neighbouring countries, which limit the number of channels that can be used, aggravated by the Ministry’s absence at the coordination tables over the last decade, which have left Italy with ‘the crumbs’.
What timeframe is envisaged for the contest and the subsequent allocation? It is difficult to answer since the final guidelines for participation in the calls for tenders have not yet been published by the Ministry of Enterprise and Made in Italy. It was thought that they would be published by the end of February 2023, resulting in the publication of the calls for tenders in the current month of March and with the deadline for the submission of applications within the following 30 or 60 days (it is not even known how long this will be), but this has not happened. I assume it will be soon so we can estimate that by the beginning of the summer, the ministry will be able to start the screening and, barring any surprises, conclude the allocation by the end of the year.
For how many broadcasters will there be space on DAB? Since the draft guidelines indicated a maximum limit of 72 CUs (capacitive units: allows 12 channels with a bitrate of 96 kbps on a multiplex) for each broadcaster, but (rightly, to avoid DTT errors) not a minimum, it is difficult to answer. Theoretically, 36 CU (equal to 48 kbps per channel) is considered a suitable value to carry the existing analogue to digital. But since not all broadcasters will give up the maximum due, the picture is still undefined.
Vincenzo Dolce (right) president of Mave (Media AudioVisivi Europei) and manager of the Mediadab multiplexes with Massimo Lualdi (left), vice-president of the same association Source
Will those operating on FM have priority in the allocation or only a higher score? They will have it to the extent that only analogue licensees can participate in a consortium as partners. But if they have not done so before the tenders, they will have the same chance as independent, i.e. digitally native, providers.
Will a radio born on DAB still be able to broadcast? What steps will it have to take to avoid having to switch off and protect the investments made so far? A few digital natives acquired analogue dealer status (by taking over the concession and FM plant in the region of interest). A few others have secured a 50% share of the 72 CUs due to an analogue dealer (allowing them to cut costs pro rata in the consortium). For the others, it will depend on the remaining spaces. As Consultmedia, we are convinced that the market will stabilise in the use of 36 CUs, which, if handled well from the point of view of the audio chain (source files, high-quality sound processing and Fraunhofer codecs), guarantee more than decent sound quality. With this in mind, all current independent providers in the experimental muxes should be able to survive.
Buy a concession and an FM channel? Some have already done so: will this new interest in FM drive up prices? (Which, as you write in the Newslinet magazine, have plummeted by 90% in recent years)? Absolutely not. This is a transitory phenomenon related only to participation in tenders. In fact, we will see a new collapse immediately afterwards. I’ll say more: it is very likely that incentives will be provided at the ministerial level (at the instigation of Agcom, which has already expressed its opinion on the point) for the voluntary decommissioning of installations in exchange for a guarantee that analogue status will be preserved in digital form (hence the possibility of competing for contributions and other support measures, and of course of participating in consortia as members).
A message that appears on RadioPlayer when trying to tune in to one of the BBC stations Source
Despite being one of the founding members of the British streaming platform, the British public broadcaster has removed its radio channelsfrom RadioPlayer since January 2023. Listeners now only have to use ‘BBC Sounds‘, which is available as an app and can be accessed on the web in a special area of the British broadcaster’s official website. Retaining control of content with a proprietary app is a trend that is spreading especially among large broadcasters. In the UK, it was already put into practice by Global (owner of seven stations including Radio Capital, Heart Radio, Classic FM, and LBC), which created its own ‘Global Player‘ in 2017, while Bauer Media Group (owner of 150 radio brands in nine countries) has never directed listeners to the UK streaming platform.
The company is doing just fine! (but has few radio stations)
The home page of the Luxembourg version of RadioPlayer shows ten broadcasters. We tried browsing through the menus to see if there were any others but to no avail Source
The founder and CEO of RadioPlayer downplays. On the contrary, he raises the bar: Michael Hillsays that the company is booming (the nineteenth foreign office was opened in March, with the launch of the app in Luxembourg). The platform, which claims to contain the best of radio, hosts the most important networks and commercial radio stations. These, however, are only a fraction of the stations that exist in each country. Two examples: in Luxembourg, you can listen to only ten, half of which belong to the RTL Group. In Italy, there are over 1100 active radio stations, but with RadioPlayer, you can listen to 125 of them, which is just a bit more than 10% of the mentioned number. This also includes 107 radio stations that only broadcast on DAB.
The handover ceremony of transmission equipment to the Public Broadcasting Corporation of Ukraine (PBC), performed in Kyiv by Japanese Ambassador Matsuda Kuninori Source
Among the many infrastructures damaged by the conflict in Ukraine, there is also the link network that enabled the connection between the regional TV offices and the central newsroom in Kyiv. The main antenna was on the capital’s broadcasting tower, which was damaged in March 2022. Since then, mobile crews who rely on the cellular network to send video footage have been handicapped due to the use of portable equipment which only allows for low-resolution transmission. To solve the problem, Japan thus donated a number of portable mini-repeaters to the public broadcasting company Nacional’na Suspil’na Teleradiokompanija Ukraïny.
Minsk launches a clone of the British aggregator. In defiance of copyright
The aggregator’s Internet page, excerpted from Belarus’ 1 state TV report “Panorama”, in which several broadcasters were interviewed Source
As of February 2023, Belarusian citizens also have an app for listening to radio stations on the web, mobile devices, and smart TVs, Radio Player‘s website explains. Promoted by the Belarusian Broadcasting Industry Association, however, the app is a copy of one launched in 2010 in the United Kingdom and which has since spread to 13 other countries, not only in Europe. It allows listeners to listen only to radio stations based in the country, a feature designed by the British to protect copyright, but which in an authoritarian regime also allows citizens’ freedom of choice to be restricted. It is unclear whether it allows content to be sent to car infotainment systems-the Belarusian version’s website makes no mention of it. But how is it possible to violate copyright? Thanks to an “ad hoc” law that allows Western content to be used without the rights holder’s consent and without paying royalties. Approved on December 21, 2022, by the Belarusian parliament and signed by President Aleksander Lukashenko.
(From a post by Michel Fremy on Linkedin, edited by Fabrizio Carnevalini)
Radio is also a passion, for those who make it and listen to it. Among those who ‘turn the knobs’, Dario Monferini has left an indelible mark: in almost fifty years he has listened to and visited thousands of radio stations
Dario Monferini, in the middle, in the studios of a Venezuelan broadcaster in 1992 Credits
His unmistakable look sticks in the memory of thousands of radio operators who welcome him into the studios. He is well-informed about all radio stations, not just the ones he listens to. He visits as many as possible to get to know them better, to ask for information and, above all, for gadgets. He dreams of a museum that tells the history of stations all over the world. To do so, he collects everything that bears witness to the radio epic: newspaper cuttings, specialised magazines, books, stamps, coins and phone cards with station logos, programme schedules, and photographs. In the pre-internet era, he created a network of hundreds of correspondents scattered all over the world, who, like him, hunt for material and exchange it. Swirling.
The character
Smiling, in front of Pueblo 870 AM, belonging to the Circuito Nacional Belfort. Credits
The picture above shows him on an overseas trip. It’s the nineties: Dario poses in front of the trademark and slogan of a Venezuelan Circuito Nacional Belfort, closed in 2009 when President Ugo Chávez withdrew the concession from radio stations opposing his regime. The shot is by Marzio Vizzoni, a passionate photographer who follows him on the South American stage. Almost everyone welcomes this curious Italian who knows frequencies and radio names inside out, even though he lives on the other side of the ocean: in the analogue era, he has the memory of a computer. In his hand he holds PlayDx, a fanzine edited every Sunday morning with a typewriter. Uninterruptedly until 2012, when the tapes become unavailable. He published more than 1500 issues before migrating to digital, helped by friends.
Fifty years of travel
During a BDXC meeting, The British DX Club, an English club of radio listening enthusiasts Credits
In almost fifty years, Monferini travelled the length and breadth of Europe and the American continent. He visits thousands of stations. Some interview him live, and air the recording of the programme he received in Italy. Friendly, he dispenses vitriolic jokes in various languages. He learns them as an autodidact, to decipher the details of programmes that often arrive with a signal at the limit of comprehensibility. He listens to everything, on short, medium and long waves. He approached radio listening at the end of the 1960s: passion, intelligence and willpower immediately made him excel. He became an institution and actively participated in international conventions of enthusiasts’ clubs, representing Italian radio listening.
The trophy room
The room where he listens: the walls are covered with station pennants. All around are binders and boxes full of stickers. He started with a Grundig Satellit 6001, moved on to various receivers, such as the Drake in the photo, and finally landed on the Japanese JRC NRD 525, among the best in the 1980s Credits
He becomes a leader. For him, listening is also redemption. Polio has left heavy marks: he wears orthopaedic shoes and has to get help from friends to open drinks cans. But his will makes up for the gaps and drives him to wear out the soles of his shoes by travelling the world far and wide. He throws himself into his hobby and renounces starting a family. He marries radio. In just a few years, he has hit the ground running and is a cut above other enthusiasts: he writes to every radio station he can tune into. In the first four years, he gets 1,200 replies. A record. He listens to practically everything that reaches Italian latitudes (disadvantaged by propagation, which gives northern Europeans exceptional openings, thanks to the earth’s magnetism and the many hours of darkness). He compensates for the lack of propagation with commitment.
From North American medium wave stations to FM
Monferini under the Pic del Martell, in the Garaf massif, located behind Castelldefels, Catalunya. Next to him is Jordi Brunet, who has found this excellent spot for listening. From a height of three hundred metres, you have an open horizon as far as Corsica and Sardinia and Naples, in Italy. The massif shields the super-powerful signals from the Collserola tower, which serves Barcelona. Credits
He runs on the bands every night until the wee hours to receive South American stations. And when the cone has no more secrets, he switches to North American medium-wave stations. He wakes up between four and six o’clock to take advantage of the cone of shadow that precedes the rising of the sun and that favours reception. He identifies favourable days by phoning the observatory in Boulder, Colorado, every day, which broadcasts a recorded message with the solar activity values. These were the roaring years of radio on short and medium waves. And, when the liberalisation of the Italian airwaves began in 1975 and frequency modulation became populated with broadcasters, he also devoted himself to FM. The wave of freedom spreads over the band and crosses Europe. It sweeps away the dreariness of state radios and brings a generation of youngsters onto the airwaves, some of whom are still in the saddle today, almost fifty years later, but just as passionate as they were then. Thousands of broadcasters were born: an opportunity not to be missed to gather material to document them.
An immense collection… dispersed
Dario at La Capannina di Ciccio, in Bocca di Magra, during a break between listening sessions in the company of Giampiero Bernardini (in 2018) Credits
To collect a memento on each radio he makes whirlwind exchanges with enthusiasts all over the world. In fifty years he created an immense collection and filled a flat with stacks of boxes reaching up to the ceiling. Unfortunately, the unforgivable decision of the tutelary judge (two years after a heart attack in 2021 and the first stroke) and the insensitivity of the support administrator sent everything to the scrap heap in order to sell the flat and pay for the retirement home. A pity. But if the collectors at the time and the radio editors, all now in their old age, join forces, they can realise that dream they perhaps shared in their hearts. Something that tells their story. It would be an opportunity to reconstruct their memory since the publicity materials collected by enthusiasts are often the only evidence of many of the more than 12,000 Italian radio stations that have been in existence since 1975. To organise the materials, valorise them and organise travelling exhibitions instead of letting them get mouldy in some cellar. Or have them end up in a landfill. Dario left us on 17 October 2022 before dawn, in the health facility where he had been hospitalised for months in Milan.
The investigation by Ciaran McGrath, journalist for the Daily Express, was two-pronged: to shed light on how much the public broadcaster had spent to design the logos and the pressure on the over 75s to pay the licence fee, from which they were previously exempt Source
It took a good investigation by the Daily Express to bring to light how much the BBC had spent on the ‘digital rebranding’ of its TV and digital channels. A six-figure sum, over £7 million, strenuously denied perhaps because it was difficult to justify, given the painful cuts made by the public broadcaster, such as the closure of many regional branches passed off as a ‘reshaping of the offer’. The BBC put up a wall for months, despite the fact that the newspaper invoked the Freedom of Information Act, a law that has guaranteed the right of access to information held by public authorities since 2000. So, in the end, the Daily Express submitted a formal complaint to the ICO (an independent body that upholds information rights in the UK) and at that point, the BBC capitulated: eight months had passed.
Too much opacity
Silver Voices is an organization founded to convey the views of the over the 60s to political parties to improve legislation and society Source
The opinions collected by the Daily Express seep into the arrogance of the public broadcaster and its opacity. As in the speech by Dennis Reed, director of Silver Voices, a not-for-profit organisation of over-60s that aims to convey their opinions to political parties to improve legislation. According to Reed, the £7,261,039 spent could have cleared 45,000 subscription fees for the public broadcaster, thus helping most families with an elderly person with dementia, or relieving those struggling with energy bill payments. The BBC has also been reticent with Silver Voices, which, when asked how many over-75s previously exempt from the license fee had come clean, denied having a list. Yet, Reed points out, families who should be regularised continue to receive regular threatening letters ordering them to pay up. Let us hope, therefore, that light will be shed on this too.
Built in 1980 for the XXII Olympics, the Tallinn TV tower retains a grim Soviet atmosphere. EU-funded renovations were completed in 2012 Source
Experimental digital DAB+ broadcasting has begun in the Baltic country. On November 28, 2022, channel 10A was switched on from the Tallinn broadcasting tower, and on December 22, 7Afrom the Levira Koeru location, which with its 300-meter height extends coverage to the central part of Estonia. Pehka, in the municipality of Haljala, was added on January 11, 2023, also on 10A. The multiplex currently hosts six channels from Duo Media Networks (Raadio Elmar, Raadio Kuku, Raadio MyHits, Raadio Duo, Narodnoe Radio, and DFM), one from MTG (Power Hit Radio), and four other stations: Star FM Eesti, Klassikaraadio, Äripää Raadio, Tre Raadio.
Co-operation between ‘bigs’
The map shows the current coverage area. According to Levira’s technical director, with the activation of the third transmitter, the network is complete, and this will allow for coverage tests. Source
It is managed by Levira, the main network operator for TV and radio stations in Estonia, which has one of the largest data centers in the country. The company cooperates with Duo Media Networks (the largest media company in the Baltics, which owns seventeen TV and six radio stations) and Mediainvest Holding (a subsidiary of Sweden’s MTG Modern Times Group, which owns Power Hit Radio). Levira is controlled by the Republic of Estonia but 49 percent of the shares are held by the French telecommunications company TDF.
