ALGERIA: A NEW SHORTWAVE RADIO FOR AFRICA

The ongoing conflict in Ukraine has sparked a resurgence of interest in shortwave broadcasting, as nations strategically harness this medium to serve their individual interests. As in the case of the newly founded Ifrikya FM, which operates from Algeria to sub-Saharan countries.

Radio Ifrikya FM is a station operated by the Algerian public broadcaster that addresses all African countries, particularly those in the sub-Saharan region
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While the transition to digital is being considered for FM, the war in Ukraine has shown that the ‘old’ short and medium waves are the only ones capable of bypassing the blocks that freedom of information might suffer from an authoritarian regime. By launching the signal from thousands of kilometers away, they cannot be countered except by jamming transmitted in isofrequency by the other side’s transmitters, a practice much used during the Cold War but now almost in disuse. So much so that many broadcasters, from the BBC to RFE-Radio Liberty and Vatican Radio, have dusted off old transmitters or created new transmissions aimed at crisis areas. But international services are also at the service of political propaganda, as in the case of Algerian Ifrikya FM.

The multi-ethnic editorial staff and correspondents in nine countries

The broadcaster’s website has been registered but is not yet active (as of 12 May 2023). Some social pages are active, however
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Inaugurated in Algiers on 3 May 2023, to coincide with World Press Freedom Day, Ifrikya FM was createdto give a voice to African listeners‘ and its slogan is ‘The African voice’. It is actually a strategy of rapprochement with the sub-Saharan area, supported by the relaunch of new air and sea lines between Algeria and Senegal, a country with which diplomatic relations have been renewed. The station broadcasts 24 hours in French, Arabic, Targui, Hausa, and Bambara and has a staff of young journalists from Algeria, Burundi, Chad, Lesotho, Mali, Cameroon, and Niger as well as a network of correspondents in nine African countries. It broadcasts on shortwave on 13790 kHz, on the AlcomSat satellite, and on FM on 105.6 MHz (Algiers/Bouzaréah, replacing Radio Coran) and 98.4 (Tamanrasset, replacing Radio Sahel, which goes off the air).

Schedule and frequency updates for the shortwave service are available through WRTH (World Radio TV Handbook) at https://wrth.info/news/.

Written by Fabrizio Carnevalini

BOOKS: THE RADIO ECOSYSTEM IN EUROPE AND NORTH AMERICA

Released in a free edition, thanks to a collaboration with the EBU, the study produced by RAI’s research office, where experts, professors and researchers of different nationalities draw the future of radio

The cover of the volume, downloadable as a PDF, made available to practitioners by the EBU on its website
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Presented on March 29, 2023, in Rome, at the Universi Sonori conference, Audio-Sound Ecosystem is the English summary of the volume Audio-Sound Ecosystem published in July 2022 by Rai Libri, the publishing division of Italian public radio and television. Italian and European experts, professors, and university researchers shared their perspectives on their areas of expertise, drawing future scenarios of the radio and audio landscape in Europe and North America (USA and Canada). Collaboration with the EBU-European Broadcasting Union (an association representing various public and private operators), made it possible to produce an English summary of the publication (230 pages, compared to 512 in the original) to make it available to the entire industry. The book can be downloaded for free at this link.

The competition is getting tougher and tougher

RTL 102.5, the first network by an Italian audience has developed a very sophisticated radio broadcasting model
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Although radio is the most listened-to source of sound (over 50% of daily listening time, in Europe and North America), it must evolve to respond to competition from increasingly sophisticated audio products. It knows how to stand up for reliability and authority: ingredients that during the pandemic have allowed it to maintain important listening shares, and combined with the ability to entertain that have allowed it to consolidate a strong bond with audiences bombarded by bad news. And for years it has also innovated, creating a new editorial product, radiovision, which in Italy and Belgium has been developed in an original and more mature way. However, the situation is different in France (where it remains unconvincing in terms of ratings) and the United States (which does not consider it fundamental) or Sweden (which has excluded it from its strategies).

The big players

Photo montage made by COMK (Comarketing-News) website at a hearing of the four captains of the hi-tech biggies, questioned by U.S. congressmen as part of one of the investigations into possible anticompetitive practices
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But the challenge coming from the network giants (Google, Apple, Facebook, Amazon) is insidious: these platforms, which act as intermediaries between the public and radio stations, structure their offerings based on the enormous amount of information collected from users. To counter them, operators need more effective and detailed listening detections that deepen the knowledge of their audiences, and new professionals who can make information adapted to the digital challenge: streamlined but dense and producing a positive feeling. Network presence can be leveraged to increase notoriety, but there is a risk of losing control of programs, so much so that major broadcasters are creating proprietary platforms to establish direct contact with audiences.

Podcasts and streaming

To manage proprietary content without intermediation, the British public broadcaster has launched BBC Sound, where listeners can listen to radio stations, digital thematic channels, and podcasts
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In the (steadily growing) podcast industry, radio stations are prominent publishers, particularly in Europe, which allows them access to a younger audience, including children and Generation Z. However, the music streaming market is highly competitive, with platforms witnessing increasing consumption among the 16-34 age group. This demographic is gradually shifting away from radio, though the pace of this trend varies across different countries. Despite the challenging market conditions, leading broadcasters like BBC and Radio Canada are taking measures to counter the trend by launching their proprietary platforms.

Changing modes of listening

Platforms such as Spotify offer superior sound quality to FM, but radio can respond with DAB+
https://open.spotify.com/

If the car today is the main listening space for radio, it is increasingly undermined by other media, accessible from the infotainment system. And when all cars are connected, it will have to contend with Google, Apple, Amazon, and Spotify. To meet the challenge of mobile listening, the main weapon is digital radio (DAB+ or HD Radio in the United States), which with its improved sound quality allows it to keep up with technological innovations, such as those in sound reproduction (spatial and immersive) from Apple and Sony and which will innovate fiction and other areas of entertainment. Regarding home listening, smart speakers will supplant traditional receivers: EBU research estimates that 60 percent are already being used to follow radio. To take advantage of this trend, some broadcasters are making specific and often interactive programs specifically for these listening devices.

(Written by Fabrizio Carnevalini)

UK: BBC EXITS RADIOPLAYER

A message that appears on RadioPlayer when trying to tune in to one of the BBC stations
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Despite being one of the founding members of the British streaming platform, the British public broadcaster has removed its radio channels from RadioPlayer since January 2023. Listeners now only have to use ‘BBC Sounds‘, which is available as an app and can be accessed on the web in a special area of the British broadcaster’s official website. Retaining control of content with a proprietary app is a trend that is spreading especially among large broadcasters. In the UK, it was already put into practice by Global (owner of seven stations including Radio Capital, Heart Radio, Classic FM, and LBC), which created its own ‘Global Player‘ in 2017, while Bauer Media Group (owner of 150 radio brands in nine countries) has never directed listeners to the UK streaming platform.

The company is doing just fine! (but has few radio stations)

The home page of the Luxembourg version of RadioPlayer shows ten broadcasters. We tried browsing through the menus to see if there were any others but to no avail
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The founder and CEO of RadioPlayer downplays. On the contrary, he raises the bar: Michael Hill says that the company is booming (the nineteenth foreign office was opened in March, with the launch of the app in Luxembourg). The platform, which claims to contain the best of radio, hosts the most important networks and commercial radio stations. These, however, are only a fraction of the stations that exist in each country. Two examples: in Luxembourg, you can listen to only ten, half of which belong to the RTL Group. In Italy, there are over 1100 active radio stations, but with RadioPlayer, you can listen to 125 of them, which is just a bit more than 10% of the mentioned number. This also includes 107 radio stations that only broadcast on DAB.

Written by Fabrizio Carnevalini

UK: UGLY FIGURE OF THE BBC. PUT ON THE SPOT ADMITS CRAZY SPENDING ON NEW LOGOS

The investigation by Ciaran McGrath, journalist for the Daily Express, was two-pronged: to shed light on how much the public broadcaster had spent to design the logos and the pressure on the over 75s to pay the licence fee, from which they were previously exempt
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It took a good investigation by the Daily Express to bring to light how much the BBC had spent on the ‘digital rebranding’ of its TV and digital channels. A six-figure sum, over £7 million, strenuously denied perhaps because it was difficult to justify, given the painful cuts made by the public broadcaster, such as the closure of many regional branches passed off as a ‘reshaping of the offer’. The BBC put up a wall for months, despite the fact that the newspaper invoked the Freedom of Information Act, a law that has guaranteed the right of access to information held by public authorities since 2000. So, in the end, the Daily Express submitted a formal complaint to the ICO (an independent body that upholds information rights in the UK) and at that point, the BBC capitulated: eight months had passed.

Too much opacity

Silver Voices is an organization founded to convey the views of the over the 60s to political parties to improve legislation and society
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The opinions collected by the Daily Express seep into the arrogance of the public broadcaster and its opacity. As in the speech by Dennis Reed, director of Silver Voices, a not-for-profit organisation of over-60s that aims to convey their opinions to political parties to improve legislation. According to Reed, the £7,261,039 spent could have cleared 45,000 subscription fees for the public broadcaster, thus helping most families with an elderly person with dementia, or relieving those struggling with energy bill payments. The BBC has also been reticent with Silver Voices, which, when asked how many over-75s previously exempt from the license fee had come clean, denied having a list. Yet, Reed points out, families who should be regularised continue to receive regular threatening letters ordering them to pay up. Let us hope, therefore, that light will be shed on this too.

Written by Fabrizio Carnevalini

UK: HEART ATTACK LIVE

Suffolk's GenX Radio presenter Tim Gough dies on air
The BBC website dedicated a lengthy article, with testimonies from former colleagues who remember him for the time they spent together behind the microphone
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It’s as good a day as any in Ipswich, a Suffolk town where GenX Radio is based, a web station that within a year has been so successful that it has taken the leap into the airwaves, submitting an application to Ofcom to open a DAB channel (the authorisation will come a few days after Tim’s death). Even though it has no competition, because it is the only commercial station in the region, it needs to upgrade its palimpsest in order to land in the digital band. So it recruited a veteran of the airwaves for its most important programme: the breakfast slot, which between 6am and 9am takes listeners from waking up to resuming their activities. And Tim Gough is an exceptional presenter: he has decades in the business behind him and, above all, began his career in 1986 at Radio Orwell, a station based in Ipswich (transmitted on 1170 kHz on medium wave and 97.1 MHz on FM).

A morning like any other

A still from Green Day's video clip, in which Madness depicts the daily grind of getting up to go to the office even when you got home very late.
A still from Green Day’s video clip, in which Madness depicts the daily grind of getting up to go to the office even when you got home very late. But work calls!
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The sun rose at 7.37am. The sky is grey but not cold, it’s 13 degrees. It’s Monday, a new week begins and it’s time to get the energy going. Tim is happy. These are the first broadcasts he is conducting after ten years away from the microphones. He lives 30 km from the station and to avoid travelling to the studios before dawn he has equipped himself at home. He has been on the air for almost an hour when he plays Grey Day by Madness, a ska group that in 1981 with this song parodied a grey morning like that, but in which you still have to get up and drag yourself like zombies to the office after a night of revelry.

Suddenly the music stops

In the BBC report, there is an image taken at Saxon Radio (used to broadcast on 96.4 FM, and merged with Radio Orwell) showing a Tim in his early twenties preparing the setlist
In the BBC report, there is an image taken at Saxon Radio (used to broadcast on 96.4 FM, and merged with Radio Orwell) showing a Tim in his early twenties preparing the setlist (he made his debut at the age of 19, in 1986)
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Grey Day is a track full of energy, evoking for Tim the years when he took his first steps at Radio Orwell, in 1986, and he thinks it’s the right push to face a new cloudy week. But shortly afterwards, at 7.50, the music suddenly stops: Tim is taken ill, probably from a heart attack. The ambulance arrived and the paramedics tried to revive him, but after 25 minutes of effort, they had to throw in the towel. Tim left live. As soon as the news spreads, the emails start arriving: hundreds of messages of love. After all, Tim is a well-known personality: after his debut on Radio Orwell in 1986, he became a specialist in morning host. He moved on to Saxon Radio and SGR-FM and made appearances on Smooth Radio, several stations in the East Midlands and other national radio stations. The BBC article collects several testimonials from former colleagues, who agree that he is a friendly, funny and very talented guy. (Written by Fabrizio Carnevalini)

AFGHANISTAN: NO PEACE FOR THE MEDIA

The Lockmat Times gives an overview of the situation after the Taliban crackdown on information.
The Lokmat Times gives an overview of the situation after the Taliban crackdown on the information.
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Since 28 March, the Taliban have banned the possibility of repeating foreign broadcasters’ programmes on Afghan territory. The first to stop broadcasting was the BBC, which asked for the decision to be revoked because programmes in Persian, Pashto and Uzbek are still only receivable by those with a satellite dish: 20% of the estimated six million listeners. Before the American withdrawal, the BBC also had dozens of FM installations in various parts of the country, including two in Kabul, on 89.0 and 101.6 MHz. The blockade makes no distinction and also affects the Voice of America, Deutsche Welle and the China Global Television Network.

Free speech in free fall

Published every year since 2002, the World Press Freedom Index is an important advocacy tool based on the principle of emulation between states
Published every year since 2002, the World Press Freedom Index is an important advocacy tool based on the principle of emulation between states
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According to a survey conducted by Reporters Without Borders (RSF) in collaboration with the Afghan Independent Journalists Association (AIJA), in four months (15 August to 20 December 2021), 231 media outlets ceased operations, putting more than 6,400 journalists out of work. And women are the hardest hit: four out of five have been ‘sent home’. And who knows how many positions Afghanistan will lose in the world press freedom rankings drawn up by the World Press Freedom Index, which measures press freedom in 180 countries around the world: in the 2021 report, Afghanistan was already in 122nd place.

UKRAINE: THE MEDIA CONFLICT/PART 4 (1-2 March 2022)

1 March: Moscow tries to switch off the capital’s broadcasters

At the beginning of the invasion of Ukraine, Russia targeted social networks, which in response raised their defences to prevent tracking of users in the occupied territories and blocked Kremlin-controlled media. But since March, the target has been extended to radio and television infrastructures, even though the Russian army is keeping Ukrainian mobile phone networks intact for use due to technical problems with encrypted military communication systems). Europe’s response is not long in coming.

The moment of impact of one of the two Russian missiles that hit the transmission tower
The moment of impact of one of the two Russian missiles that hit the transmission tower
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Ukraine is a largely flat country, and in the capital, even if antennas were placed on a skyscraper (the tallest, the 178-metre Klovsky Descent 7A, was inaugurated in 2015), the signal would be absorbed by the ground after a few tens of kilometres, due to the earth’s curvature. A respectable transmission tower is therefore used to extend coverage. Built between 1968 and 1973, during the time of the Soviet Union, it has a diameter at the base of 90 metres and is 380 metres high. It is the tallest in the world (among those made entirely of metal) and the tallest building in Ukraine. (Wikipedia info here).

On GoogleMaps, there are several pictures and with StreetView you can ‘walk’ around the tower, changing perspective.

2 March: BBC responds by dusting off the short waves

The BBC World Service tweet shows the coverage area of the broadcasts on 15735 and 5875 kHz, which can be received in Kyiv and parts of Russia
The BBC World Service tweet shows the coverage area of the broadcasts on 15735 and 5875 kHz, which can be received in Kyiv and parts of Russia
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In order to inform the Ukrainian population, the BBC is reactivating two short-wave frequencies that used to broadcast the news of the World Service for four hours a day (broadcasts to Europe had ended in 2008). These are the British transmitters in Woofferton. Built during World War II, and privatised at the end of the Cold War, it is still used by the BBC to broadcast the World Service and leased to other broadcasters (Deutsche Welle, Voice of America, Voice of Vietnam).

SPAIN: Debate on the renewal of public broadcasting top management

How are public broadcasting executives elected? A comparison of the procedures adopted by six European countries

Debate on the renewal of public broadcasting top management
The image of the BBC’s London headquarters opens the article by Vozpópuli, ‘independent and liberal digital medium’
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In recent months, when the top management of Radiotelevisión Española (RTVE) was being renewed, a debate was opened in the country on the mechanisms that govern these choices. An article in the periodical Vozpópuli compared the Spanish situation with that of five other European countries: the United Kingdom, France, Portugal, Italy and Germany. In Spain, the president of RTVE is chosen from a shortlist of ten candidates, six of whom are appointed by the Congress of Deputies and four by the Senate.

In Germany, the TV channel ZDF enjoys greater autonomy from political forces and the executive, in order to focus on the professionalism of the management.

Details can be read here.

CHINA: Antenna war between Beijing and London

Antenna war between Beijing and London
In an article in BBC News, the British public broadcaster condemned the Chinese decision to shut down the BBC World News television channel
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In a bureaucratic statement that does not go into detail, the Chinese broadcasting regulator (NRTA-National Radio and Television Administration) has decreed the closure of the BBC World News satellite channel on 12 February 2021. This is despite the fact that the television channel cannot be seen by most Chinese, because in China it can only be viewed in international hotels and some diplomatic compounds. The British public broadcaster condemned the decision and stated on its website that the Chinese government had criticised the reports aired on the coronavirus and the persecution of the Uighur ethnic minorities. London’s response was not long in coming and was symmetrical: Ofcom (the British regulator) revoked the licence of the state broadcaster China Global Television Network (CGTN), which will no longer be able to broadcast its programmes in the UK. Separately, Radio Television Hong Kong (RTHK) has aligned itself with the Chinese decision, stating that it will stop repeating BBC World Service programming in the region. This is despite the fact that the former British colony must retain certain rights and freedoms, including freedom of the press, until 2047, as part of a transfer agreement between China and Great Britain. More details can be read in the BBC News article available here.

The Chinese regulator’s press release

Pictured on the Chinese regulator’s website: an image of the national broadcasting conference held recently in Beijing
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This is a translation of the statement published on 12 February 2021 on the NRTA National Radio and Television Administration website: “After investigation, the content of BBC World News’ China-related reports seriously violated the relevant provisions of the Regulations on the Administration of Radio and Television and the Measures for the Administration of the Landing of Overseas Satellite Television Channels, violated the requirement that news should be truthful and impartial, harmed China’s national interests and undermined China’s national unity. The State Administration of Radio and Television does not allow BBC World News to continue to operate in China, and will not accept its application to operate in the new year”.

GLOBAL: Saturday, February 13, 2021 is the 10th World Radio Day

Saturday, February 13 is the 10th World Radio Day
Launched in 2011 to celebrate the 65th anniversary of the first broadcast of the United Nations radio, World Radio Day is now in its tenth year
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World Radio Day (WRD) was established in 2011 by Unesco member states and adopted by the United Nations General Assembly in 2012 as an International Day. The date of February 13 was chosen to commemorate the anniversary of the first United Nations radio broadcast, which occurred 65 years earlier in 1946. The proposal had been made the year before, in 2010, by the Spanish Academia de la radio, and the project was endorsed and supported by the major broadcasting associations, including the Arab States Broadcasting Union (ASBU), the Asia-Pacific Broadcasting Union (ABU), the African Union of Broadcasting (AUB), the Caribbean Broadcasting Union (CBU), the European Broadcasting Union (EBU), the International Association of Broadcasting (IAB), the North American Broadcasters Association (NABA), the Organización de Telecomunicaciones Ibeoramericanas (OTI) and major international broadcasters, such as the BBC and Vatican Radio.

The function of radio

The official video can be seen here
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“Radio is a powerful medium for celebrating humanity in all its diversity and provides a platform for democratic discourse. Globally, radio remains the most widely used medium. This unique ability to reach the widest audience means that radio can shape a society’s experience of diversity, serve as an arena in which all voices can speak, be represented and heard. Radio stations should serve diverse communities by offering a wide variety of programming, viewpoints and content and reflect the diversity of audiences in their organizations and operations”.

2021 WRD is about Evolution, Innovation & Connection

Unesco provides copyright-free materials and more information about Radio Day on its website
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Broadcasters are also offered 13 ideas for organizing initiatives: talk about your evolution; open up the debate; broadcast a special program; open your doors; engage (interact with your audience); have fun!; organize a quiz; renew yourself (offer a workshop with your team around the theme “new world, new radio”); produce a radio series (a specific podcast); imagine the future; remember your “radio”.

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