The decision by the German group Bertelsmann to sell two leading broadcasters in terms of ratings (TV M6 and radio RTL are both in second place) has opened up competition between major French patrons. Four bids have already been submitted and the competition is expected to be fierce. There are also political interests: in 2022 there will be presidential elections, and the transfer of the two stations could reshape the media landscape. Especially if Vincent Bolloré, who has changed the political line of CNews (all news network) and shifted it to extreme right-wing positions, wins the elections. Details on the protagonists and the political balances at stake in the article of the Italian newspaper ‘Corriere della sera’.
The repression of President Nicolás Maduro’s regime has claimed another victim: Selecta FM, which operated on 102.7 MHz from Machiques, in the state of Zulia, in the northwest of the South American country. It was deactivated by Conatel (Comisión Nacional de Telecomunicaciones) officials, who seized the equipment on the evening of Friday, 5 March 2021. This was reported by the SNTP (Sindicato Nacional de Trabajadores de la Prensa), which wrote on Twitter that the station had already been intimidated on 26 February, when its premises were attacked during an interview with an opposition leader. More details in the Swissinfo.ch article.
Selecta continues broadcasting on the web
As we anticipated in 2019 (news here), Ireland’s public broadcaster (Raidió Teilifís Éireann or RTÉ) will switch off the DAB channels on 31 March 2021, but will not close the RTÉ Gold, RTÉ 2XM, RTÉ Radio 1 Extra, RTÉ Pulse and RTÉjr Radio channels, which it will make available on other digital platforms. The decision was taken for three reasons: to reduce costs, the small number of listeners in the DAB band and the fact that RTÉ is the only Irish broadcaster in the digital band. The majority of Irish people (77%) listen to FM radio, compared to 0.5% for DAB. This is according to the latest radio listening survey (JNLR, Radio in a Digital World), conducted by market research institute Ipsos MRBI.
More details here.
Thanks to the patience and intuition of Luke Owen, defined by The Guardian as a “musical archivist”, it is possible to relive the atmosphere of London in the Eighties by listening to the commercials aired by London pirate radio stations between 1984 and 1993, which have been collected on two CDs. Owen in fact recorded the free-range and unprofessional commercials that were aired and that, given the lack of professionalism, were considered a boring interlude between one song and another. And yet, listening to them again, one finds a London that has disappeared, in an era in which there was no web, and in which listeners, in order to be informed about the musical events taking place in the city, had pirate radio stations as their only resource: programming of public or official radio stations was only musical, aiming at the English middle class and did not represent the different ethnic groups present in the capital.
Space also for minorities
Thus are curious the advertisements in Greek, the news about raves or the advertisements of stores that allow to reconstruct a map of alternative shops. The two CDs are published by the London label founded by Owen: “Death Is Not the End“, which is also the name of a program broadcast online by the London internet radio station NTS Radio.
More details in the Guardian article.
A study of the stock market capitalization shows that in the Twenties of the 20th century the performance of radio companies was comparable to that of today’s technology companies. In the summer of 1920 commercial broadcasters had started their activity in the United States, so it was imagined that the purchase of receivers would have led to a strong development for the industry. The analysis conducted by Jim Reid, a specialist at Deutsche Bank, reconstructs the performance of the stock of RCA (Radio Corporation of America), whose profits had risen from 2.5 million dollars in 1925 to 20 million in 1928, causing the value of the shares to soar by 700% (from cents in 1921 to ten dollars in 1926).
The 50 million EUR allocated by the Italian government to support broadcasters affected by the drastic drop in advertising due to the pandemic have not been distributed fairly. Stopping the decision of the old executive (Conte II) is Agcom, the Italian Communications Authority. The “Fund for emergencies relating to local broadcasters” had been established by Article 195 of the Decree Law of May 19, 2020, but the implementing decree had been issued by the Ministry of Economic Development only on October 12, 2020. The text defined the procedures for the allocation of the contribution, reserving 95% of the resources for the first hundred television stations in the ranking, and dividing the remaining 5% among those from the hundredth place onwards. This choice, which had already aroused controversy, was rejected by Agcom because it could create market distortions, and the authority hopes to divide it into two portions: one among all the broadcasters meeting the eligibility requirements, in proportion to the score in the ranking list, and the other, in equal parts among the broadcasters, taking care to ensure that the latter portion of resources has a sufficient amount to guarantee adequate subsidizing for the smaller broadcasters.
The grip is tightening on the Lagardère Group, propped up months ago (read more about it here) by injections of liquidity by Vincent Bolloré (owner of Vivendi, a multimedia group created around Canal+) and Bernard Arnault (owner of LVMH, an international fashion group). Bolloré would have set his eyes on Europe 1, a generalist radio station very much listened to in France, and would like to absorb it and, in view of the next elections, align it with the positions of Marine Le Pen. Arnault, instead, first hour supporter of President Emmanuel Macron, would be interested in the Journal du dimanche and Paris Match. So in the looming tug-of-war, the money may not be enough to get the radio station into Vivendi’s orbit. An extensive summary can be read on the webmagazine Succede Oggi (in Italian, consultation is free). Prima Comunicazione, on the other hand, also talks about Bolloré’s interest in the French group M6, which the German group Bertelsmann is interested in selling.
Klubrádió, the last independent Hungarian radio station, switched off its FM transmitter at midnight on February 14th, 2021. It was broadcasting on 92.9 MHz from Budapest: its license was not renewed by NMHH (National Media and Telecommunications Authority) because the station had not communicated in time the contents of its programming. But the station’s director, András Arató, defied Viktor Mihály Orbán’s government by continuing online broadcasting and airing the official anthem of the European Union, a piece from the final movement of the Ninth Symphony composed in 1824 by Ludwig van Beethoven, also called the Ode to Joy, which the EU has adopted since 1972. The EU, through a spokesman, asked Hungary to allow Klubrádió to continue broadcasting on FM.
It was February 12, 1931, when at 4:49 p.m. the first broadcast of the station was aired from Vatican City. On the notes of Christus Vincit, the “Statio Radiofonica Vaticana” thus emits its first wail. In the first message, “In Nomine Domini” (In the name of God), Pope Pius XI recited a prayer-appeal in Latin that called upon creation and the suffering, God and rulers, rich and poor, subjects and workers to gather before the “admirable Marconian invention”. The transmitter was designed by Guglielmo Marconi, inventor of the radio, whom the Pope named a member of the Pontifical Academy of Sciences. Pius XI had already been thinking about providing the Church with a radio station since 1925, but this was made possible by the Lateran Pacts of 1929, which entrusted the Italian State with the commitment to provide the Church with radiotelegraphic, radiotelephone, telephone and postal services. The management was entrusted to the Jesuits and the direction to Father Giuseppe Gianfranceschi, rector of the Gregorian University and scientist.
More details in the service of La Voce e il Tempo.
Boom Radio is a new British radio station that aims to intercept the tastes of Baby Boomers, the generation of over 57s (born between 1946 and 1964, now aged between 57 and 75). The station offers a mix of music, characters and conversations and will be on air on DAB (digital radio) in London, Bristol, Birmingham and Glasgow. The radio station is the brainchild of two radio managers, Phil Riley and David Lloyd, who after realizing that the baby boomers audience, while listening to the radio a lot, did not have a station that intercepted their musical tastes, set out to fill this gap. Their biographies are interesting, both are driven by a sincere passion for radio. Despite the long career behind them, which began as a disc jockey, they decided to get involved (they are also baby boomers), also committing financially in this adventure. But if they have been able to realize it, as they themselves have declared, it is because as soon as they started talking about their idea they immediately had a great response from radio hosts and especially financiers.