Community radio stations are part of the social fabric, reaching even the most remote areas of the country Source
After the 2019 coup, the “radios de los pueblos originales” (RPOs) had almost been silenced: intimidation, fires, and theft of equipment had reduced their number drastically. The green light for the raids had been given by the then Minister of Communications, Roxana Lizárraga, who accused the RPOs of being “seditious voices” and called for them to be stripped of their equipment; journalists had also been persecuted. But after the elections and the formation of the new government, the situation has changed: Gabriela Alcón, deputy minister of Communication, reiterated that the government will rebuild the national system of Radios de los Pueblos Originales (RPOs) to give back a voice to the country’s rural and indigenous communities. She added that “from more than 100 RPOs, only 16 are left, and only two are functioning properly”. But this is going to change.
More details in the article published by GRA-Gruppo Radioescucha Argentino.
“Radio is a powerful medium for celebrating humanity in all its diversity and provides a platform for democratic discourse. Globally, radio remains the most widely used medium. This unique ability to reach the widest audience means that radio can shape a society’s experience of diversity, serve as an arena in which all voices can speak, be represented and heard. Radio stations should serve diverse communities by offering a wide variety of programming, viewpoints and content and reflect the diversity of audiences in their organizations and operations”.
2021 WRD is about Evolution, Innovation & Connection
Unesco provides copyright-free materials and more information about Radio Day on its website Source
Broadcasters are also offered 13 ideas for organizing initiatives: talk about your evolution; open up the debate; broadcast a special program; open your doors; engage (interact with your audience); have fun!; organize a quiz; renew yourself (offer a workshop with your team around the theme “new world, new radio”); produce a radio series (a specific podcast); imagine the future; remember your “radio”.
Boom Radio is scheduled to officially begin broadcasting on February 14, 2021, but can already be received online at this address Source
Boom Radio is a new British radio station that aims to intercept the tastes of Baby Boomers, the generation of over 57s (born between 1946 and 1964, now aged between 57 and 75). The station offers a mix of music, characters and conversations and will be on air on DAB (digital radio) in London, Bristol, Birmingham and Glasgow. The radio station is the brainchild of two radio managers, Phil Riley and David Lloyd, who after realizing that the baby boomers audience, while listening to the radio a lot, did not have a station that intercepted their musical tastes, set out to fill this gap. Their biographies are interesting, both are driven by a sincere passion for radio. Despite the long career behind them, which began as a disc jockey, they decided to get involved (they are also baby boomers), also committing financially in this adventure. But if they have been able to realize it, as they themselves have declared, it is because as soon as they started talking about their idea they immediately had a great response from radio hosts and especially financiers.
Access to the resources is equitable and will be distributed among 58 community broadcasters identified as eligible Source
To support Mexican community radio stations, new legislation requires government institutions, states and municipalities to spend one per cent of the budget allocated to social communication by purchasing advertising space on community radio stations (Article 89, Section VII of the Federal Law on Telecommunications and Broadcasting). The first to implement the legal provision is the Federal Institute of Communications (IFT), which has created a special space on its Internet portal to make it transparent that access to resources is fair.
Support from Unesco for indigenous radios
In Mexico, there are 375 non-commercial radio stations, of which 72% are social, 23.7% community and 3.5% indigenous Source
Another support comes from Unesco, which with its ‘Design of public policies‘ project launched in 2020 seeks to bring indigenous content into public and commercial media. Funded by the European Union and the EU-Uesco Expert Bank, it aims to produce programmes in indigenous languages with content that reflects the country’s cultural and linguistic diversity. Strengthening them helps preserve indigenous languages, cultures and ancestral knowledge. Without forgetting that in the event of natural disasters, their role is irreplaceable, so it is necessary to remove the obstacles that prevent them from obtaining broadcasting authorisation.
The article published on Prima Comunicazione Online, with statements by Lorenzo Suraci, now owner of Radiofreccia Source
Although in December 2020 he told Prima Comunicazione “it is not a gift”, Lorenzo Suraci, publisher of nationwide RTL 102.5 and Radio Zeta (a so-called “superstation”), then took advantage of the opportunity offered by Law 176/2020, which allows a national network to transform a community licence into a commercial one. It thus had Radiofreccia purchased by RTL 102.5, making it its second licence and transforming it from a national community radio station into a commercial one. This removes the advertising limit of 10%per hour, which can be raised to 20%.
Reconstructing the history of the broadcaster7
The Newslinet article examines the transformation of the licence from a legal point of view Source
In July 2016, Mediaset took control (72.12%) of the Finelco Group (owner of Radio 105 and Virgin Radio) and formed a partnership with RMC-Radio Monte Carlo (later acquired in 2018), exceeding 10 million listeners on the average day (including R101, already owned by the group). Suraci, who can count on the 7 million listeners of RTL 102.5 (first in Italy for ratings) and Radio Zeta, found himself bypassed. In order to counter the firepower of Mediaset, which can sell advertising on its radio stations on a “package” basis, he tried to grow his group by buying Radio Padania (a Lega Nord station with a national community licence) for 2.1 million euros, transforming it into Radiofreccia, a station with a rock format. The community licence allows the broadcaster to turn on hundreds of repeaters without buying them from other radio stations (the law was tailored to favour the Lega Nord and allow it to extend Radio Padania’s coverage throughout the Peninsula), but limits advertising to 10% per hour. Now the “cap” has been blown off, and the only national community radio station remains Radio Maria, which has never used this loophole to turn on new equipment.
Recordings that give an idea of the sounds aired can be found in the Infinity News article and on Wikipedia Source
Launched in 1973 at the height of the Cold War, The Buzzer (as it has been nicknamed by radio amateurs and listeners) is a ghost radio station that has been broadcasting bizarre transmissions non-stop on 4625 kHz ever since. It broadcasts a sonar-like sound, interspersed with pauses, the purpose of which is not known; sometimes short voice messages in Russian are broadcast. Over the years, the community of radio amateurs and listening enthusiasts has monitored the transmissions and found technical flaws, such as when in 2010 the transmissions were interrupted for a day and two days later voices were heard in the background, as if a microphone had been left open. The Infinity News article reconstructs the history of “The Buzzer”, while other details can be found on Wikipedia.
The Dutch newspaper RedTech Tribe devotes an article to the problems of airwaves planning in Malawi, reporting several statements by operators Source
The Malawi government will review the airwaves planning that the African country’s communications regulator had initiated in 2019 to address problems generated by channel saturation. The Malawi Communications Regulatory Authority (Macra) had tasked the UK-based Casitel, an independent consultancy, with optimising the use of frequenciesto allow new stations to open (see our article here). But some radio stations have complained, claiming that switching on new secondary installations to reduce the power of the main one has, on the contrary, generated disturbances. Such as Radio Islam, which by reducing its power from 500 to 200 W is now suffering interference from Radio Maria on 89.9 operating in the Dedza district, which transmits on the same frequency in the Mangochi district. Joy Radio, on the other hand, is complaining about the increased cost of recalibrating its transmitter in order to change frequency.
Cuba Periodistas’ article reconstructs the history of Cuban radio broadcasting and famous voices Source
The voice-over, typical of the Cuban announcer, has become a reference model in Latin America, where it has imposed itself thanks to the professionalism and the many radio stations with an international vocation and especially the programs broadcast on short waves by Radio Habana Cuba. “The word “, writes Jorge Rivas Rodriguez in Cuba Periodistas, “is one of the professions that most touches the cultural, educational, ideological and informative formation of Cubans, has the magic of persuasion, the power to stimulate feelings and emotions through the domain of the word that has become a watermark for our ears”. The announcers, who celebrated their national day in December, are hundreds of professionals from national TV and regional offices, employed in the country’s nearly one hundred stations or working on Radio Habana Cuba‘s international programs.
The service of the periodical elplural.com contains more details on the contrasts between workers and the regional government Source
It’s been months of unrest for workers at RTVA-Canal Sur, Andalusia’s public radio and television station. At the end of November 2020, 400 workers had signed a manifesto against the budget cuts decided by the regional government. To support his argument, the president of the Andalusian junta Juanma Moreno Bonilla had stated several times in interviews that regional television was expensive. But he was defeated by a recent study by the University of Santiago de Compostela, carried out in collaboration with the universities of Valencia, Malaga, Castilla-La Mancha, Barcelona, Madrid, Vigo, Carlos III of Madrid and A Coruña. The report, “Current Panorama and Trends in Public Radio Television in Europe”, shows that the cost for Andalusian citizens is only 16.16 EUR per year, the lowest in Europe. As a whole, Spanish public TV costs citizens 44 EUR per year compared to 160 EUR in Denmark and 113 EUR in the UK.
MediaSpecs analyzes in detail the problems of independent Belgian radio stations. Source
RadioZ, the federation that brings together some 30 independent stations from the Walloon region and Brussels, has appealed to the authoritiesnot to halve funding for the transition to digital radio and to simplify procedures. Independent radio stations are a resource for the media sector: they provide information, support culture and municipal administrations, but above all they are a breeding ground for talent that can then aspire to work in more professional broadcasters. A training job that costs the state nothing, because it does not receive subsidies as, for example, in France. On the contrary, RadioZ denounces the fact that this year several radio associations were refused the annual FACR (Fund for Radio Creation) subsidy due to a lack of resources, used to finance the transition to DAB, which, however, only benefits private networks and the public broadcaster RTBF, which have been broadcasting in digital for more than a year.
