TECHNOLOGY: ARTIFICIAL INTELLIGENCE AT THE SERVICE OF RADIO

Artificial intelligence is the topic of the moment: it will change the world of work and also radio. Two American companies already propose AI-based programmes not only to automate functions, but to create content and free up energy for programming.

The American company Futuri offers a suite of software that interacts to create live programming featuring AI voices and delivering locally relevant news content.
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In Italy, the m2o network has called it the radio killer, but American Futuri says that with RadioGPTTM it wants to simplify program creation and create local content suitable for any radio format. The U.S.-based company was the first to gain publicity by capitalizing on the chatbot’s notoriety launched in November 2022 (as of March 14, 2023 to version 4). Futuri combines three AI-based software: GPT-3 writes program texts based on stories and trending content that the Topic Pulse software extracts from the web (it scans Facebook, Twitter, Instagram, and 250,000 other sources), and finally has them read by a digital voice. One can choose from a catalog of entertainers, create shows with two or three hosts, or instruct the software to “copy” radio speakers.

Today, two out of three programs are automated

Futuri’s intention is to make the power of artificial intelligence available to radio publishers to better manage the 70% of programming hours that are already delegated to automation systems.
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But the platform does more than just create the schedule (which can be customized for any area, leveraging news fished from the Web). It can automate other processes for the station to interact with listeners: such as feeding a blog on the website, creating social media posts, making short videos, and then converting program content into podcasts. Daniel Anstandig, CEO of Futuri, says his company created RadioGPT to save radio because in many stations 70% of broadcasting is already automated. While with the help of artificial intelligence, live and local content can be increased. A demo can be heard at this address. Impressive!

Program Director is more management-oriented

Program Director automates scheduling and advertising, uses artificial voices, and enables the management of differentiated content and advertising, even of stations operating in different time zones
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On a different front is American Super Hi-Fi, which offers Program Director to automate scheduling and reinvent the traditional workflow. Based on artificial intelligence, among many things it curates playlists, does intelligent music rotations, creates shows with artificial voices, and visually shows how the time slot is scheduled. It manages music catalogs, tags songs, and can run an unlimited number of stations simultaneously (useful, for example, for broadcasters who offer dozens of thematic web radios on their site to build listener loyalty). Designed for professionals, it has features that can manage stations operating in different time zones, syndication of stations, and the flow of advertisements.

Written by Fabrizio Carnevalini

ITALY: A MAP SUMMARISES CHANGES IN THE RADIO AND TELEVISION SECTOR SINCE 2017

A MAP SUMMARISES CHANGES IN THE RADIO AND TELEVISION SECTOR SINCE 2017
Events in the radio sector started in 2017, a year of important acquisitions (Mediaset Radio took over the superstation Radio Subasio) and ended in 2021 with RTL 102.5’s acquisition of Radio Freccia, which went from being a community radio station with hourly advertising limits to a commercial radio station
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The study office of Confindustria Radio Televisioni, the association representing the main Italian commercial radio and television networks, has published a chrono table with the significant events in the radio and television sector. The graphic formula is interesting: it represents, divided by year, the main events in the sector: industrial operations, commercial agreements (from the launch of new national broadcasters to acquisitions or sales of shareholdings involving national radio networks). Regulatory or normative interventions in the sector in recent years are also mentioned, including (in the lower section) on-demand streaming services.

Similar work has been done for television, always respecting the scheme mentioned for radio
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UKRAINE: THE ‘VOICE OF KIEV’ BROADCAST ON DAB IN POLAND AND THE CZECH REPUBLIC

THE 'VOICE OF KIEV' BROADCAST ON DAB IN POLAND AND THE CZECH REPUBLIC
A coverage map showing where the digital signal can be received on Czech territory
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To inform millions of refugees, who have arrived in neighbouring countries, Poland has been broadcasting Українське Rадіо (Radio Ukraine) on a DAB channel since 4 March to inform Ukrainians in their mother tongue. The digital network reaches 70 per cent of the Polish population, focusing on urban areas and main communication routes. Similar situation in the Czech Republic: Radio Ukraine has been included in digital radio multiplexes since 11 a.m. on Friday, 4 March and is repeated on the website of the national radio station, Český Rozhlas. Pictured is a coverage map showing where the digital signal can be received on Czech territory.

Longwaves cover the whole of Ukraine and the Russians can’t “switch them off”

The programmes are also broadcast on the Polish radio website and can be listened to with the app
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But Poland has done more: Polskie Radio Jedynka (the first Polish public radio programme), shortly after the invasion, started broadcasting news items in Ukrainian, produced by the native speakers working on the international radio programmes. The channel is also broadcast on long waves, on 225 kHz, from the Solec Kujawski/Kabat broadcasting centre, which with its 1200 kW of power (reduced to 700 at night) covers most of the Ukrainian territory. In this way, the population in war zones can be informed even if the telecommunications networks are interrupted.

MEXICO: MEDIA UNITED TO DEFEND FREEDOM OF EXPRESSION

Reports and podcasts about risks in other Central and South American countries are available on the association's website: the most recent files are on Cuba, Nicaragua and Venezuela
Reports and podcasts about risks in other Central and South American countries are available on the association’s website: the most recent files are on Cuba, Nicaragua and Venezuela
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The Central American country is one of the most dangerous in the world for journalists: an estimated 200 have been murdered in the last 30 years, not counting hundreds of attacks and intimidation. To defend them, and to prevent attacks on them and the media from going unpunished, thirteen Mexican media groups have formed an alliance. Its members are: El Universal, Proceso, Cámara Nacional de la Industria de la Radiodifusión (CIRT), Eje Central, El Heraldo, Organización Editorial Mexicana (OEM), La Silla Rota, Publimetro, El Dictamen, Politico Mx, Vanguardia Mx, El Economista y Debate. The association (Alianza de Medios Mx) not only defends, promotes and protects the rights of freedom of expression, but also offers support to file complaints on freedom of expression and requests assistance in case of attacks.

ITALY: Radio and television sector radiography

Radio and television sector radiography
The study on the radio and television sector in Italy, drawn up by Confindustria Radio Televisioni, examines 40 national and 691 local radio and television operators, of which 287 television and 404 radio
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The Confindustria Radio Televisioni association has published the “Economic study of the private radio and television sector“, which from 2020 presents in a single volume the national and local radio and television operators (previously two publications were prepared). The study examines the financial statements filed with the Chambers of Commerce by joint-stock companies (thus excluding community broadcasters, which are not required to publish them), providing a picture of the most structured part of the radio and television industry, within which very different companies coexist. The sector is in a stabilization phase, after two economic crises (2008 and 2012), the entry of some reforms (including that of the fee and contributions to local broadcasting) and a changed competitive environment, due to the rise of OTT platforms that (like Netflix) distribute content via the internet. The financial statements are for 2018, as it was necessary to wait until a fair number were available for the study to be representative.

A summary of key trends can be read here, while the full volume can be downloaded here.

FRANCE: The sale of M6 and RTL triggers a media earthquake

Vincent Bolloré is the majority shareholder of the Vivendi group, which, in addition to TF1 (France’s most watched TV channel), owns 28.8% of Mediaset in Italy
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The decision by the German group Bertelsmann to sell two leading broadcasters in terms of ratings (TV M6 and radio RTL are both in second place) has opened up competition between major French patrons. Four bids have already been submitted and the competition is expected to be fierce. There are also political interests: in 2022 there will be presidential elections, and the transfer of the two stations could reshape the media landscape. Especially if Vincent Bolloré, who has changed the political line of CNews (all news network) and shifted it to extreme right-wing positions, wins the elections. Details on the protagonists and the political balances at stake in the article of the Italian newspaper ‘Corriere della sera’.

In radio we trust

Listeners consider radio as a trustworthy source of news, at times much more so than other forms of media, in contrast to the fake news that is going around on the web

The complete results of the survey on the reliability of the media can be seen on the website of the market research company, Dianeosis
The complete results of the survey on the reliability of media can be seen on the website of the market research company, Dianeosis
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Various market research companies have carried out surveys on the reliability of the means of communication during the pandemic. In Greece, according to a survey by Dianeosis and Metron Analysis, the winner was radio. In answer to the question ‘How much do you trust each of the following types of media’, radio got 56.4%, followed by the internet (46.5%), newspapers (33.8%) and television (32%). The complete results are here. The Spanish have a different opinion according to UTECA (an association of commercial TV stations that transmit in the clear on DTT), that commissioned a survey carried out by Barlovento Comunicación and Deloitte. On the Iberian peninsula the most trusted means of communication is television (55.3%), followed by the press (36.3%) and then radio (24%). Here is a PDF with the results.

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