ITALY: Will there be room for all radio stations on DAB?

The allocation of licences is approaching and we asked an expert what will happen. Pending final guidelines, as of today, those who broadcast on FM can participate (as members of a consortium, otherwise they will compete for the remaining space). Those who only operate in the digital band, on the other hand, have two options: buy an FM frequency or buy half the band that will be allocated to a radio station that is entitled to it

Massimo Lualdi, lawyer and journalist, is one of the founders of Consultmedia and directs Newslinet, a legal, economic and technical information periodical aimed at the Italian media system
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The allocation of DAB frequencies in Italy is approaching and the scarcity of radio resources will not allow all consortia to obtain them. As a result, not all radio stations will be able to have a channel, particularly those that do not have FM frequencies. With Massimo Lualdi, who with Consultmedia has been assisting hundreds of publishers on regulatory issues for almost thirty years, we take stock of the situation regarding the prospects and steps to be taken by traditional publishers and those who have taken advantage of the current availability of channels to bring their web radio to DAB.

A premise: in Italy, the digital band has two limits: the unused channel 13 (reserved by the Ministry of Defence for the VHF links used by the Army) and the interference problems raised by neighbouring countries, which limit the number of channels that can be used, aggravated by the Ministry’s absence at the coordination tables over the last decade, which have left Italy with ‘the crumbs’.

What timeframe is envisaged for the contest and the subsequent allocation?
It is difficult to answer since the final guidelines for participation in the calls for tenders have not yet been published by the Ministry of Enterprise and Made in Italy. It was thought that they would be published by the end of February 2023, resulting in the publication of the calls for tenders in the current month of March and with the deadline for the submission of applications within the following 30 or 60 days (it is not even known how long this will be), but this has not happened. I assume it will be soon so we can estimate that by the beginning of the summer, the ministry will be able to start the screening and, barring any surprises, conclude the allocation by the end of the year.

For how many broadcasters will there be space on DAB?
Since the draft guidelines indicated a maximum limit of 72 CUs (capacitive units: allows 12 channels with a bitrate of 96 kbps on a multiplex) for each broadcaster, but (rightly, to avoid DTT errors) not a minimum, it is difficult to answer. Theoretically, 36 CU (equal to 48 kbps per channel) is considered a suitable value to carry the existing analogue to digital. But since not all broadcasters will give up the maximum due, the picture is still undefined.

 

Vincenzo Dolce (right) president of Mave (Media AudioVisivi Europei) and manager of the Mediadab multiplexes with Massimo Lualdi (left), vice-president of the same association
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Will those operating on FM have priority in the allocation or only a higher score?
They will have it to the extent that only analogue licensees can participate in a consortium as partners. But if they have not done so before the tenders, they will have the same chance as independent, i.e. digitally native, providers.

Will a radio born on DAB still be able to broadcast? What steps will it have to take to avoid having to switch off and protect the investments made so far?
A few digital natives acquired analogue dealer status (by taking over the concession and FM plant in the region of interest). A few others have secured a 50% share of the 72 CUs due to an analogue dealer (allowing them to cut costs pro rata in the consortium). For the others, it will depend on the remaining spaces. As Consultmedia, we are convinced that the market will stabilise in the use of 36 CUs, which, if handled well from the point of view of the audio chain (source files, high-quality sound processing and Fraunhofer codecs), guarantee more than decent sound quality. With this in mind, all current independent providers in the experimental muxes should be able to survive.

Buy a concession and an FM channel? Some have already done so: will this new interest in FM drive up prices? (Which, as you write in the Newslinet magazine, have plummeted by 90% in recent years)?
Absolutely not. This is a transitory phenomenon related only to participation in tenders. In fact, we will see a new collapse immediately afterwards. I’ll say more: it is very likely that incentives will be provided at the ministerial level (at the instigation of Agcom, which has already expressed its opinion on the point) for the voluntary decommissioning of installations in exchange for a guarantee that analogue status will be preserved in digital form (hence the possibility of competing for contributions and other support measures, and of course of participating in consortia as members).


(Written by Fabrizio Carnevalini)

UK: BBC EXITS RADIOPLAYER

A message that appears on RadioPlayer when trying to tune in to one of the BBC stations
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Despite being one of the founding members of the British streaming platform, the British public broadcaster has removed its radio channels from RadioPlayer since January 2023. Listeners now only have to use ‘BBC Sounds‘, which is available as an app and can be accessed on the web in a special area of the British broadcaster’s official website. Retaining control of content with a proprietary app is a trend that is spreading especially among large broadcasters. In the UK, it was already put into practice by Global (owner of seven stations including Radio Capital, Heart Radio, Classic FM, and LBC), which created its own ‘Global Player‘ in 2017, while Bauer Media Group (owner of 150 radio brands in nine countries) has never directed listeners to the UK streaming platform.

The company is doing just fine! (but has few radio stations)

The home page of the Luxembourg version of RadioPlayer shows ten broadcasters. We tried browsing through the menus to see if there were any others but to no avail
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The founder and CEO of RadioPlayer downplays. On the contrary, he raises the bar: Michael Hill says that the company is booming (the nineteenth foreign office was opened in March, with the launch of the app in Luxembourg). The platform, which claims to contain the best of radio, hosts the most important networks and commercial radio stations. These, however, are only a fraction of the stations that exist in each country. Two examples: in Luxembourg, you can listen to only ten, half of which belong to the RTL Group. In Italy, there are over 1100 active radio stations, but with RadioPlayer, you can listen to 125 of them, which is just a bit more than 10% of the mentioned number. This also includes 107 radio stations that only broadcast on DAB.

Written by Fabrizio Carnevalini

JAPAN: MINILINKS DONATED TO UKRAINIAN TV

The handover ceremony of transmission equipment to the Public Broadcasting Corporation of Ukraine (PBC), performed in Kyiv by Japanese Ambassador Matsuda Kuninori
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Among the many infrastructures damaged by the conflict in Ukraine, there is also the link network that enabled the connection between the regional TV offices and the central newsroom in Kyiv. The main antenna was on the capital’s broadcasting tower, which was damaged in March 2022. Since then, mobile crews who rely on the cellular network to send video footage have been handicapped due to the use of portable equipment which only allows for low-resolution transmission. To solve the problem, Japan thus donated a number of portable mini-repeaters to the public broadcasting company Nacional’na Suspil’na Teleradiokompanija Ukraïny.


(Written by Fabrizio Carnevalini)

BELARUS: RADIOPLAYER COPIED

Minsk launches a clone of the British aggregator. In defiance of copyright

The aggregator’s Internet page, excerpted from Belarus’ 1 state TV report “Panorama”, in which several broadcasters were interviewed
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As of February 2023, Belarusian citizens also have an app for listening to radio stations on the web, mobile devices, and smart TVs, Radio Player‘s website explains. Promoted by the Belarusian Broadcasting Industry Association, however, the app is a copy of one launched in 2010 in the United Kingdom and which has since spread to 13 other countries, not only in Europe. It allows listeners to listen only to radio stations based in the country, a feature designed by the British to protect copyright, but which in an authoritarian regime also allows citizens’ freedom of choice to be restricted. It is unclear whether it allows content to be sent to car infotainment systems-the Belarusian version’s website makes no mention of it. But how is it possible to violate copyright? Thanks to an “ad hoclaw that allows Western content to be used without the rights holder’s consent and without paying royalties. Approved on December 21, 2022, by the Belarusian parliament and signed by President Aleksander Lukashenko.


(From a post by Michel Fremy on Linkedin, edited by Fabrizio Carnevalini)

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